Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi 3 years long exposures: read “The passing of time“, (on Socks).
game of thrones challenge: [2/10] moments - stannis arrives at the wall
Through the smoke another wedge of armored riders came, on barded horses. Floating above them were the largest banners yet, royal standards as big as sheets; a yellow one with long pointed tongues that showed a flaming heart, and another like a sheet of beaten gold, with a black stag prancing and rippling in the wind.
Robert, Jon thought for one mad moment, remembering poor Owen, but when the trumpets blew again and the knights charged, the name they cried was “Stannis! Stannis! STANNIS!”